Further Your Dance Training in 2025

What are your goals for dance training this year? Do you want to improve your technique? Understand your body better? Have a better understanding of how our roles as dancers and Christians intertwine and support each other? Maybe you want to work on the vocal and performance aspects of your “triple threat” status, get experience in a new class or rehearsal setting, or add some more bullet points to your theater resume. No matter your goals, there’s a program at Turning Pointe that can help! Just like joining a small group at church can develop close community and give us the opportunity to dive deeper and more personally into our faith, auditioning for a program can do the very same for your time in the studio.

Ready to know more? Read on to learn about each of Turning Pointe’s three pre-professional divisions—and how you can learn more at our informational meetings this weekend!

The Training Division

 The Training Division is for dancers age 10 and up who are interested in studying Classical Ballet. Studying ballet takes repetition, drive, and commitment. At Turning Pointe, we provide unique pre-collegiate Classical Ballet training for students in a Christian environment, and encourage students to train their bodies and spirits for the glory of God. In this division, dancers are required to come to ballet technique class three times a week, and choose a non-ballet elective (contemporary, jazz, worship, modern, etc).  Moving up to the next level is based on ability, not age. A placement class is required to audition for this program, and interested students must have had two or more consecutive years of ballet.

 For more information on the Training Division, you can read through the handbook here.

 Learn more this weekend:
Training Division Informational Meeting
Saturday, February 22
10-10:30 a.m.

Audition for the Training Division:
Training Division Auditions (Spring)
Tuesday, April 15
6:30-7:15 p.m.

 
Training Division Auditions (Summer)
Thursday, May 15
5:30-7 p.m.

Fidèle Youth Dance Company

 FYDC is Turning Pointe’s dance performance ministry, dedicated to impacting our world for His Kingdom through the arts. This program is available for students age 10 and up, and offers an annual full-length and faith-based dance production each November. In odd-numbered years (like 2025), students aged 14 or older who participate in the regular production season can also apply for the FYDC Mission Team. These students perform an additional touring gospel production, teach dance and lead worship at workshops in Colorado Springs, Vail, and over a week in El Salvador in the spring following the November production. All company members will work with guest instructors and FYDC alumni to expand their vocabulary and skill sets in dance and performance, participate in weekly Bible study, worship dance and devotion time, and are assigned to groups that allow each dancer to connect, encourage and support each other through fellowship and prayer as they learn how to use their dance training as a means of performance ministry.

 To learn more about FYDC, visit their website here.

Learn more this weekend:
FYDC Informational Meeting
Saturday, February 22
10:30-11:15 a.m.

 Audition for FYDC:
FYDC 2025 Season Auditions (Christmas as Sugar Plum Manor)

Saturday, June 28
10-11:30 a.m. (Students age 10-13)
12:30-2 p.m. (Students age 14+)

Alternatively, students can audition via video. Requirements and information will be posted to the auditions page of FYDC.com on June 1. All submissions must be received by 3 p.m. on June 28 to be considered.

STARZ Theater Company
STC is Turning Pointe’s theater performance division, offering classes, summer intensives, and performance opportunities with its varied divisions. This program offers musical theater training and experience for students ages 9-18 (or senior in high school), and produces school-year and summer productions. In partnership with the Turning Pointe Musical Theater Program, these opportunities are designed to enrich the training of enrolled TPD students. Performers not enrolled at Turning Pointe may still audition through our community auditions, and casting opportunities are offered based on experience and available roles. As Turning Pointe’s youth theater production company, STC is designed to offer theatrical training, dance technique and vocal foundations in a safe environment that fosters personal growth in the world of the arts.

For more information on STC, visit their website here.

Learn more this weekend:
STC Informational Meeting
Saturday, February 22
11:15 a.m.-Noon

Audition for STC:
STC Summer Production Auditions (Fiddler on the Roof)
Saturday, April 5 (Auditions)
Sunday, April 6 (Callbacks)

Magnify Him Through: Love

God is love. Love one another. For God so loved the world. It’s no secret that love is a defining attribute of our Heavenly Father. In fact, the word “love” is written in the Bible more than 700 times in most translations, in part because there’s no other word for “love” in the English language. All season long we’ve been studying ways to magnify the Lord—that is, to make Him easier to see in our lives and through our dancing. This month the red Valentine hearts adorning each of our classroom doors remind us of our studio-wide devotional theme: Magnify Him through LOVE.

 The Bible tells us we are made in the image of God, and, as Christian performers, we reflect His creativity in every step we dance. But more than that, we are made in the image of God, and that God is love. (1 John 4:8) The problem is, when we think about loving others, we often misplace our efforts by serving our own hearts in the process, or we simply pick and choose when we love others and when we don’t. Loving others isn’t always our top priority when we’re in the pits of recital preparation, doing vocal warmups or pliés at the barre. It’s especially difficult to shift our hearts to loving others when we’re so focused on achieving our own goals in the studio. Let’s face it—theater and dance can be a selfish industry by its very nature. Afterall, it’s hard to turn the spotlight to an unseen God when it’s literally shining on us, across the stage, for a whole audience to see. But God’s love doesn’t pick and choose. It doesn’t come and go, and this month’s memory verse–prominently displayed on every classroom mirror all February–can help us bring it all back into focus:

 “No one has ever seen God; If we love one another, God abides in us, and His love is perfected in us.” 1 John 4:12

 I love this analogy from one of Ken MacLeod’s Community of Grace sermons:

 “Who is someone that you love deeply? Why do you love them? If you have a list of all the reasons you love someone, you don’t really love them. You love yourself, and these reasons only tell you the ways that person pleases you. For example, G.K. Chesterton said you could pick a place, let’s say Portland, Maine. If you love Portland for some reason in particular, maybe because it has great food, then you don’t love Portland. You love yourself, and the food you can find around Portland pleases you. But if you really love Portland for no reason but for its own sake, you would be willing to tear down every restaurant in Portland if it made it a better place.”

 As Christians we know that God is present in our world. But as John reminds us in this month’s verse, He is unseen. Enter this year’s theme: Magnify. Then enter this month’s verse. John is telling us that when we love one another with God’s love, it is a visible demonstration of His presence abiding in us. The trick is to magnify Him through a love like His, and not one of our own definitions. His is a love for others that can’t be explained. It’s a love for the unlovable; a love that loves those who are successful and those in the trenches with equal measure. It’s an intentional love for people God placed in your life. It’s a love for people who will not love you in return. It’s a love for your enemies. This is the love of God in you. In this way (and only in this way), we can give our audience visible evidence of the unseen God.

 At Turning Pointe Dance, we’re working to be living examples of His perfect love, cultivating hearts of worship and a loving community that transcends the studio. It’s more than just great dancing—that’s the Turning Pointe difference. This month (and every one after that), we encourage you to reset each time you see the studio verse posted up on the mirror, or the Valentine hearts on each door. Reflect on your relationships. Pray for God’s love to work through you, whether that looks like lifting up your classmates, intentionally showing kindness to those not in your class or level, showing selfless gratitude for your setbacks, or even making God seen through a love of dance, performance and worship. In all things, we encourage you to magnify Him through love.

Why A Curriculum?

Welcome to 2025 at Turning Pointe Dance! Whether you’ve been with us for all 20 years or you’re just adding your first classes this semester, we’re so glad you’re a part of our Turning Pointe family. With so many new students being placed into the appropriate classes this month, and so many others looking ahead to promotion and placement from spring evaluations, it’s important to check-in with your progress—and understand how measuring that progress is part of experiencing the Turning Pointe difference!

We offer a carefully constructed curriculum that introduces steps and concepts at an age-appropriate pace to make sure our students develop their skills in a safe and healthy way. We believe that a well-designed curriculum plays a significant role in helping our instructors achieve growth in each and every student! But there’s more to it than that. This week, let’s take a closer look at how curriculum benefits private dance education and why Turning Pointe Dance is one of the best places to dance in Colorado Springs.

1. Our Curriculum Enables Students to Take Responsibility for their Progress

 A curriculum provides knowledgeable and accessible pathways of progression so students don’t have to wonder what is required to move on to the next level. They’re trained in specifics for multiple, detailed areas of growth to focus on throughout the duration of a single level, helping to increase interest and direct motivation and initiative. A dance curriculum also synergizes level-specific dance ideas across all genres, giving students more repetition of foundational ideas from class to class, and allowing for greater practice in areas they’re working to master.

Did you know the expected duration of each level is 2-3 years? Think about it! Our most advanced classes are Level 5 for most genres. If you or your dancer enters the curriculum at Primary/Level 1 (age  6-7), that would make them proficient, masters of their craft by 11 years old! Instead of moving along like a school curriculum, our carefully created dance curriculum allows students to develop their skills according to five targets, showing growth and understanding in technique, performance, creativity/composition, history and etiquette. These skills and concepts are taught over the duration of that level, not necessarily mastered in one year. As we encourage each student to be empowered by the Holy Spirit in life, our curriculum enables them to take responsibility for their own growth and development in the classroom through clearly communicated expectations and measurable success.

2. Our Curriculum Supports Our Teachers

Curriculum acts as a guide, providing a foundation of clear and specific standards so teachers don’t have to redesign their class content on an annual basis. Our instructors serve as educators and experts in their field, but also as Godly examples, mentors, and Christian leaders to each student. A curriculum relieves the burden of preparing what to teach, and allows them to focus on how to teach each skill and lesson according to the unique needs of each class of students. It provides freedom through the boundaries in which instructional creativity can thrive. It also bridges the communication gap between teachers across multiple levels, removing the guesswork involved in preparing students for the next level or receiving students from the previous level with a different instructor. And if your class needs a substitute one week? A curriculum ensures another trained instructor can step in and continue appropriate development in any class.

3. Our Curriculum Unifies us as Turning Pointe Dance

Curriculum supports a healthy ecosystem at large dance studios like Turning Pointe by providing consistency and congruence for everyone involved across ages, levels, and genres. It infuses the promotion process with a realistic level of objectivity and publicly defines expectations for teachers, students, and families.

More than that, the Turning Pointe Dance curriculum is united in the glorification of God in the lives of our students and staff. Along with class content, our curriculum provides guidance for introducing the Gospel and Jesus Christ to students, and has been prayed over every step of the way. Our mission and vision are more than just words on a page. They are the heart and soul of everything we do, and our curriculum has been entrusted to the King of Kings to do His will and be glorified through it. Together, we use the curriculum to more fully consider how we can minister to our students—body, mind, and spirit.

STARZ Company Presents "Peter Pan"

“Faith, trust, and a little pixie dust” will take center stage this weekend, as STARZ Theater Company brings one of the most celebrated musicals to life January 17-19 at the ENT Center for the Arts. STC will kick off its 12th season with J.M. Barrie’s classic “Peter Pan,” with performances guaranteed to take audiences from the “second star to the right and straight on 'til morning.”

 But before we take our seats for award-winning classics like "I'm Flying," "I've Gotta Crow," and "I Won't Grow Up," we caught up with STC Artistic Director Laura Bergen to see just what audiences can expect as they run away to Neverland.

 Turning Pointe Dance: Hey, Ms. Laura! STC last performed this show in 2019. What was behind the decision to return to Neverland?

 Ms. Laura Bergen: “We've been planning to bring this show back to the stage for quite some time. We LOVED the first time we performed Peter Pan Jr. in 2019 and I knew during that season that it would be one of the first I would want to repeat. The full-length production has more songs and expanded characters that bring so much life, humor and energy to the show! While this feels familiar, it also feels new!

 Another reason for our return to Neverland is that the show offers quite a bit of opportunity for speaking roles for younger and older students. Not something you see often in most musicals. Our program is in a different place now in Season 12 than we were in Season 6. When we first did Peter Pan Jr., we had our Starz Rizing (average ages 11-14) training division in place, but it wasn't until the next year that we launched our All-Starz (average ages 9-13) training division. Having a program at Starz that is scaffolded and helps train and develop our performers as whole-people while they lay a strong foundation in their theater skills has made a tremendous impact on our company. The training works! Over the last couple of years, we have been amazed as we've seen our students display a unique strength and readiness at younger and younger ages. We wanted to choose a show for our season that would allow opportunities for younger performers.”

 TP: The company has obviously come a long way in those six years! Besides younger readiness, what are some of the biggest differences you've seen, and how will this production be different as a result?

 LB: “The biggest difference I feel this time is how the company has grown over the last six years. When I had my first meeting at the ENT Center for our show they brought out a relic from the archives—our specs doc from our 2019 production. WOW! I was taken back by how much has changed since that time. In our 2018-2019 season we were a small creative team and a relatively small company, but we were united in a big goal: Helping students find their voice and tell their story through our season. During 2019, we had four people on our creative team and 50 performers in the cast. This season, there are nine people on the Creative Team, six Student Assistants, a cast of 96 and a student stage crew of 15!

 One thing that hasn't changed—we are still all united in our goal of finding our voice and telling our story. I love STARZ, and the size of the group has never impacted the dearness of our company, but it does change a few very practical/logistical aspects of the show (volume of sound, variety of characters, etc.) that audiences will notice within the show. We also have a few new ensemble groups with the addition of All-Starz and Starz Rizing to the mainstage show! 

 Fun fact: We have a few students in our cast and student assistant crew who were with us the first time we did Peter Pan Jr.! Two of them are seniors this year and the others aren't far from being seniors. That has been incredibly fun this season—reminiscing with them and enjoying all the memories we have from that first season as we work on the show together again.

 I'm so endlessly grateful for the many who have linked arms with and believed in STARZ over the years. It is a gift I do not take for granted!”

TP: Wow, you've now gotten to serve on the STC production team through both performances of this particular show! What's been your favorite part of working on Peter Pan?

 LB: “Well, I'm a boy mom x4 (and I have four brothers). So offer me a show with a lot of adventure, wild energy and battle scenes and I'm so IN! My boys and my brothers inspired a lot of the character choices you will see throughout. This story truly is one of my favorites, and I really do think it’s because of the youthful, playful and fun energy that is infused throughout. Each scene is just a joy to work on!

 Another thing I love about the full-length version of Peter Pan is the incredible amount of dancing involved in the show. We have so many different styles of dance and, because Peter Pan is a golden-age musical, we even have ballet.

 This show is also very special for me because Peter Pan Jr. was the first show I directed at STARZ, and my first large-scale directing project. To be back in the script and character has been such a fun and joyful process.”

 TP: So what can audiences expect to see and experience at a performance this weekend?

 LB: “A whimsical story filled with adventures and heartwarming moments. Iconic and memorable characters including Peter Pan, Wendy, John, Michael, Tiger Lily, Captain Hook & Smee! Stunning flying effects as we fly seven different performers throughout the show. An epic battle on a pirate ship between the pirates, the Lost Boys & Brave Girls. A gorgeous rented set from California for our Neverland scenes. Memorable songs and family-friendly humor and fun. We hope our audiences enjoy every minute!”

TP: STC's mission is to share the freedom of Christ's love, tell the redemption story, stir hearts to our Creator, and engage others in worship. How have you been able to experience the gospel through this story this season?

 LB: “One thing that I noticed right away when I was reading through the script was that in Peter Pan, every ensemble group is always together. The Lost Boys are always together, Pirates, together; Animals, together. Brave Girls, together. Community and commitment are a huge underlying tone in Neverland. We have spent this season focused on the same verse as Turning Pointe: "O Magnify the Lord with me and let us exalt His name together." Our devo times have been precious as we have been studying magnifying the Lord together through thanksgiving, praise and surrender. We have also pressed into the command in Proverbs of being committed to encouraging and supporting one another in our walks with the Lord "As Iron sharpens Iron." (Proverbs 27:17

For this show, we have also partnered with a ministry this season called Every Village. Every Village is a ministry that partners with the people of South Sudan to provide every village with sustainable access to safe water, healthy churches and the gospel by radio. Audience members can learn more about supporting the ministry in their efforts this weekend at the show. We will also have a representative from the organization coming to share a devo with students. You can learn more at https://www.everyvillage.org/!”

TP: Last but certainly not least, how can we come and see Peter Pan this weekend?

 LB: “You have five chances to see the show: Friday, January 17, at 6 p.m., Saturday, January 18, at 1 and 6 p.m., and Sunday, January 19, at 1 and 6 p.m. Saturday’s 1 p.m. show includes ASL access—meaning there will be students of the PPCC IPP Program providing ASL-Access for a reserved section of our audiences! These seats are marked in red on Saturday's box office. Saturday’s 6 p.m. show is STC Alumni Night, and on Sunday night, we’ll honor STC’s graduating seniors.

 Tickets and information are all available at https://www.starztheater.org/peterpan!”

Magnify Him Through: Surrender

There’s no better time to set new goals than a brand new year. There’s also no better time to check in on the ones you already set. Midterm grades are posted, and there’s just one semester left in the path toward academic goals. Recital choreography and progress reports are just around the corner, right alongside auditions and application deadlines.

 As we slowly settle back into the groove of routine this week, we’re already inundated with all the world’s noise as advertisement after advertisement pops up with the latest products and programs that promise to be the key to unlocking our resolutions. But whether you’re entering the new year with motivation or frustration, it’s important to remember that we’re not running this race alone—and believe me, this second semester always does feel like a race to the finish line. No matter your goals, as a studio this month, we’re learning to place those God-sized goals at His feet. This month, we’re kicking off 2025 by studying how to magnify Him through surrender.

 Surrender. Easier said than done, right? When life as we know it seems to turn page after page, right down to the calendar year, it’s hard to let go of what we know and what seems to be working for us. We often cling tightly to what we think is right, or the path we think is the quickest or best. But even in the midst of change, the Lord is the same yesterday, today, and forever. New year, new me—same God. The goals you’ve set for yourself this year? He knows them deeply. The challenges you’re staring down? He’s facing them right alongside you, the same way He stood with David to face Goliath. Now it’s up to us to surrender our goals and our plans to Him as we dance with abandon the same way David did in this month’s studio verse:

 “David danced before the Lord with all his might. And David was wearing a linen ephod. So David and all the house of Israel brought up the Ark of the Lord with shouting, and with the sound of the horn.”  — 2 Samuel 6:14-15

 There’s a lot to that word: Surrender. It’s not giving up. It’s not making a calculated sacrifice. It is, as the dictionary defines it, ceasing resistance to power, or submitting to authority. When David took up the Ark in his own way in 1 Chronicles, by his own rules, along the path he thought best, the Lord quickly made His power known. But when David surrendered his own will to the Lord, he gave Him authority over his life. He asked God for guidance and direction, and took up the Ark again according to God’s own instruction. And when he did, the people experienced joy, celebration, and God’s favor. You see, when we seek first His counsel, we are surrendering our plans to His, making way for great joy. American poet and writer Jackie Hill Perry said it best when she said, “There is nothing in your hands God won’t replace with more of Himself.”

 So what are you letting go of this year? Is it clinging to casting and roles or class placement as your only means of measuring growth or success? Is it your own timeline of advancement, comparing yourself to others in class or rehearsal, or measuring up to business models that aren’t yours? Maybe you’re not where you want to be just yet—or at least not where you saw yourself entering 2025 at the beginning of 2024. But in moments of frustration, you can choose to cling to the ideals of your own making and sit with the enemy in defeat, or you can surrender to the Lord in victory. As we do, our letting go is replaced by His lifting up. We humble ourselves before Him, and place our hearts at His feet the way David showed humility and took up the Ark once again. We’re not giving up. We’re giving everything to Him. We’re allowing His will to be magnified above our own. We’re making Him easier for others to see, because there’s no way we could walk this path on our own.

 As for our 2025 goals? We’re uniting hearts and turning eyes to the Lord as we build up leaders, provide excellence in dance and theater instruction, cultivate hearts of worship, and nurture each student’s creativity. Whether you’re joining us for the first time this semester (your last day to register is January 31!) or you’ve been a part of our studio family for the last 20 years, we’re here to help you go beyond technique to develop important life skills, like learning to be respectful and confident as you share the Lord through His gifts and talents in the community and beyond. This year, we invite you to know Him more deeply as you dive deeper in developing your technique and performance skills. We invite you to stay connected through our weekly emails, monthly newsletters, social media and right here on the blog. We invite you to experience the Turning Pointe difference in 2025!

Celebrate Nutcracker Season at Turning Pointe Dance

The Nutcracker is a treasured holiday tradition—especially in the world of dance! But did you know that 100 years passed between The Nutcracker’s stage debut and its success in the United States? Or that the New York Ballet’s Candy Cane costumes are adorned with 144 jingle bells each? Check out our five fun facts about the Nutcracker (along with five Nutcracker activities to try at home) here. Ready for more? Read on for all things Nutcracker, and how YOU can experience the Turning Pointe difference this holiday season.

Why We Love Nutcracker Season

The Nutcracker brings dance to the rest of the world—every single year! It’s no secret that it’s one of the most popular ballets on stage. An annual tradition for dancers and non-dancers alike, it wouldn’t be performed every year (and consistently sold out across continents) if it wasn’t! Not to mention the fancy wooden collectors items we see on store shelves year after year. And when all eyes are on ballet, it’s easy to share our love of dance, and the gifts and talents God gave us with others.

For many dancers, The Nutcracker is their first introduction to performance, and being part of a cast and production as opposed to a recital. With roles from party guests to angels and sweets (depending on the adaptation) up for grabs, it’s a great way to experience the audition process and the inner workings of theater, and be inspired to work your way up to a featured or soloist role.

For many spectators, The Nutcracker is their first introduction to the world of ballet. But with the elegance of the Sugar Plum Fairy, the intensity of the battle between soldiers and mice, the magic of the iconic snow scene, and the athleticism of the tricks showcased in the second act’s variations, it’s a world they won’t soon want to leave—or forget! The more people experience the magic of ballet, even one Christmas at a time, the more audiences will be inspired to join us in class and carry on this holiday showcase for years and years to come.

 Whether you’ve seen or danced in this classic Christmas tale for years, or this is the first season you’ve encountered the story, you’ll find your holidays just aren’t complete without a visit to the Land of Sweets. If you’re ready to experience the magic for yourself, here’s how you can join us in all the fun this month at Turning Pointe Dance…

Join us for A Nutcracker Sweet Workshop

Students ages 3-10 are invited to join us for our Nutcracker Sweet Workshop, this Saturday, December 14, from 11:30 a.m.-1:30 p.m. Invite a friend and meet us at the studio for a re-telling of The Nutcracker story, dancing, crafts, a special tea party, dress up time, and a visit from the classic characters in costume for plenty of photos. We’ll dance like Nutcracker soldiers, snowflakes, and sugar plum fairies as we celebrate the most enchanting, well-known ballet of the Christmas season.

Don’t want the festive fun to end? Keep the celebration going (and give mom and dad some more uninterrupted holiday time!) at our Polar Express Parents Afternoon Out from 1:30-3:30 p.m.! We’ll get cozy in our favorite Christmas PJs for a pizza picnic, dance party, crafts and viewing of “The Polar Express.”

Register here, and register soon—Spots are filling fast, and you won’t want to miss the fun!

(Discounts are available for Turning Pointe students, and dancers who attend both events.)

Join us for Free Trial Week!

Did you or someone you know get hooked on The Nutcracker ballet this season? Free Trial Weeks are coming up December 16-21, 2024, and January 6-11, 2025! Try your hand in your first ballet class, or invite a friend to try their favorite Nutcracker moves in class with you.

 Don’t be shy—these are your final chances to try out a class before school-year session registration closes on January 31! Check out our 2024-25 school-year session schedule here, and descriptions of all our available classes here.

Magnify Him Through: Praise

‘Tis the season at Turning Pointe Dance! The lobby is festively decorated, and our classrooms and halls are filled with the joyful notes of carols and holiday hymns. Yes, the most magical time of the year is here, and this month, we’re focusing our hearts on the song that started it all—the song Mary sang that very first Christmas in Bethlehem:

“And Mary said, ‘My soul magnifies the Lord.’”   — Luke 1:46

 Mary’s diligent faith was rewarded with the honor of carrying a Savior, but it wasn’t an easy privilege to navigate. There was Joseph’s initial distress to consider, and the judgmental glances and accusations from others on top of the difficulties of carrying a child. But in this verse, Mary rejoices for the honor of her position, singing psalms of celebration as she marveled at the wonderful work of God.

While that situation was certainly unique, the same song can be sung by every one of us this very season. Our souls were meant to magnify the Lord. Our spirits rejoice in the Lord, because He has looked on each one of us with loving grace. He has forgiven our sins and given us eternal life and salvation through Jesus, born of Mary, and looked at our estates with favor and blessings. Not because of anything we’ve done, but because of who He is.

God looks upon us and pours out his mercy. So this month, we pour out our praise. Through each and every Christmas performance, we pray that He is seen and glorified in each note and movement. We’ll take to each stage, space and studio with the goal of making Him easier to see this season, above the hustle and bustle of the holidays. And we invite you to join the celebration as we live out our monthly devotional focus to magnify Him through praise!

Here’s how you can praise Him with Turning Pointe Dance this month:

Training Program Outreach
Join us in praying over the students in our Training Program, who will perform excerpts from The Nutcracker on Friday, December 6, for our neighbors at Brookdale Vista Grande. We’re so excited to visit and dance with their residents for the seventh-straight Christmas!

Jared Anderson’s Christmas This Year
Celebrate the season at four performances, December 7-8, at the ENT Center for the Arts. Turning Pointe students will share the stage with singers, songwriters and performers from across the state in a variety show that provides the opportunity to highlight the gifts and talents of those with Down syndrome and special abilities in our community. Tickets and information are available at ChristmasThisYear.org!

Village 7’s Christmas Concert
Come hear your favorite Christmas carols in the full range of styles including classical, jazz, pop, and gospel featuring our choir, orchestra, soloists, band, and dancers. There will also be a Christmas storybook reading, so be sure to bring the entire family!
December 6 & 7 | 6:30 p.m. | Free admission | Child care provided on December 6 ONLY
4040 S. Nonchalant Circle. Colorado Springs, CO 80917

 Christmas Peek Week
Come and watch your dancers magnify Him through praise during their classes December 9-14! For specific times and locations, check the schedule on our website, double-check your weekly emails for information, or inquire at the front desk.

Magnify Him Through: Thanksgiving

To magnify something is to increase it in size, status, or importance—to make it easier for all to see. Whatever is magnified consumes our gaze. So what’s consuming you? Is it holiday stress like budgets, gifts, travel or challenging family dynamics? Is it productions, auditions for programs and divisions, remembering your peek week choreography, or the looming possibility for 21 inches of snow? Whatever it is, it’s misguided worship. So how do we redirect? The psalmist makes it clear in this month’s studio verse: God is magnified with our thanksgiving.

“I will praise the name of the Lord with a song; I will magnify Him with thanksgiving” Psalm 69:30

Thankfulness magnifies the goodness of God in every aspect of life, and makes the abundance of a life lived with Christ easier for all to see. Romans 6:14 continues this devotional lesson, telling us that “sin will not have any dominion over us, because we are living under a revelation of thanksgiving unto all that God is and has done.” Our gratitude creates an unshakable awareness of who we are in Christ. Let’s let it consume us, leaving no room for selfishness and sin. Let’s use it to make His name known in our world. This week, as we close our doors and celebrate all that God has done with our families and loved ones, let’s pray over this month’s studio verse, and magnify Him through thanksgiving.

“I am thankful for Turning Pointe because it is the place where my passion for Jesus, my love for dance, and the joy in my purpose all unite! I also get to work with the most life giving, creative, and encouraging team that inspires me everyday!” —Tina Cook, Owner, Turning Pointe Dance

“I am so thankful the Lord brought me to Turning Pointe! I have felt so welcome here from the moment I first walked in and I LOVE having the privilege to teach each one of my classes!”- Christina Young, Turning Pointe teacher

“I’m thankful that Turning Pointe is an opportunity for me to use my gifts to serve the Lord.” —Ava Cross, Turning Pointe student teacher

“I’m thankful for Turning Pointe because there’s not just one worship class, but the whole studio and every class is based in worship. I’m so thankful for the community and the family I’ve made here.”- Ellie Mediavilla, Turning Pointe Level 4 student

“I'm thankful for Turning Pointe because it allows me to combine my faith and my passion for dance. I get to pour into students both ballet technique AND a love for the Lord, and that's a very special thing!” —Taylor Felker, Turning Pointe Training Division Director

 “I am so thankful for Turning Pointe Dance! It has been both an amazing place to teach, filled with wonderful students and kind parents. As well as a great place to send my daughters to learn to dance! They adore their teachers, their classes, and the other students. I am forever grateful for Tina and her courage in starting this studio!”  -Beth Jordahl, Turning Pointe teacher

 “I’m most grateful for Turning Pointe’s Christian atmosphere. When I moved to New York and tried to find a dance studio there was just nothing like it. It’s such a safe place where I can be myself. I can talk about my faith with other dancers. I don’t have to worry about costumes being too revealing or teachers that might put too much pressure on my body or myself emotionally.” —Emily McMillan, Turning Pointe student teacher

 “I’m thankful for Turning Pointe because I love my teachers, and because I get to watch the big girls dancing for Jesus.”- Kiera McKinnis, Turning Pointe Primary level student

“I’m thankful for Turning Pointe because I can learn to dance with Jesus, and it gives me the freedom to express my emotions and work through them.” —Jessica Heyler, Turning Pointe student and studio intern

“I am grateful that Turning Pointe is a place where all students are welcome and encouraged to grow!”- Sara Murdaugh, Turning Pointe teacher

 “I’m so thankful for Turning Pointe and the home it’s given me, and the safe space that it is to explore my faith in Jesus. It’s where I can learn how to worship Him and have a relationship with Him.” —Ella Cook, Turning Pointe student and Teaching Assistant

 “I love Turning Pointe because I get to learn cool stuff like leaping and dancing, and I get to play games and get a candy.”- Abby Jordahl, Turning Pointe Twirl Division student

 “I'm thankful for Turning Pointe Dance because of the opportunities afforded, the grace given, and the God-centered heart behind everything that's done.” —Jayce Davis, Turning Pointe hospitality team

“I love Turning Pointe because of the faith-based community, and because of the relationships and friendships I’ve gotten to have here.”- Rachel Tepley, Turning Pointe student and Teaching Assistant

“I’m grateful because, in a world where our confidence and sense of self is under attack, and it can be hard to find true friendships, Turning Pointe has given me a lot of sisterhood that I can really count on. It’s given me a way to love myself through dance, through loving other people, and through loving Jesus.” —Reagan Kantack, Turning Pointe Level 5 student

“I’m thankful for Turning Pointe because all of my friends are there, and I’m always happy to see them.”- Aven McKinnis, Turning Pointe Twirl Division student

“I love Turning Pointe because of the community, and the friends I’ve made here.”—Evie Smith, Turning Pointe Level 4 student

“I love Turning Pointe because of the amazing leaps, and I love the obstacle course. And I love getting tickets!—Lucy Jordahl, Turning Pointe Primary level student

Leaving a Legacy

Fidèle Youth Dance Company set to cap 11th season with original production: “Remain”

 Twenty-five hours in the theater; 116 hours in the studio. Twenty-nine cast members have rehearsed 12 scenes to 28 pieces of music, donning 30 custom-made costumes over a 17-week season, all to tell a story that demonstrates the nature of the one true King. This week, Fidèle Youth Dance Company culminates its 11th season of powerful stories with its first alumni-written production: “Remain,” coming to the Wasson Auditorium stage for three live performances November 16-17.

 “As with everything we do, we look to the King,” FYDC director Mimi McKinnis said. “Jesus is a masterful storyteller. His parables help us connect with and understand God in ways we never would have been able to otherwise, and it’s always my prayer that each one of our productions will do the same for the audience.”

 FYDC uses the arts to tell compelling stories, creating a legacy of gospel-driven theater through original, faith-based productions. And while each story strives to bring the messages of scripture to life, now, after 11 years on stage, the connections built through the company itself are telling their own stories—and impacting the stories of those who played a part—expanding the company’s legacy to a whole different level.

 “I always tell people about the ripple effect,” McKinnis said. “God tells us in Matthew that it only takes faith the size of a mustard seed for Him to move mountains. It only takes one person to touch the water and create the ripples. When we trust God with our efforts, it’s amazing to see what He can do through a few dozen teens in Colorado Springs. I’m so proud, not only of the stories we’ve produced over the last 11 years, but of the arts-based creators we’ve connected with, and the artists and creators whose stories we get to be a part of in some small way.”

 Last season, FYDC performed “Bring Her Home,” staging the first story in a series of three young adult novels by Australian author Hannah Currie, who journeyed to the United States for the first time to take in all three performances. Currie watched her story come to life on stage among crowds that rivaled the company’s highest attendance numbers, missing 2022’s success by less than 85 tickets. Less than a year later, “Hold Her Close,” the final book in the series, was published with a story thanks, in part, to Currie’s experience at the theater.

 “In performing ‘Bring Her Home,’ [the FYDC family] brought these characters to life for me in a way I couldn’t have imagined, and inspired me more than you’ll ever know,” Currie wrote in the book’s acknowledgements. “...No matter what, Rose’s story is deeper because of you.”

 Currie’s book wasn’t the only story close to the company to hit shelves this year. Former FYDC soloist Aquinnah Bree published her debut novel, “A Tempest of Roses,” over the summer, 10 years after dancing the lead in FYDC’s premiere season.

 “It’s such an honor to see the stories of those we share a connection with come to fruition, and amazing that we’ve been doing this long enough now that our alumni are writing their own stories on and off the stage,” McKinnis said. “I’ve always wanted to build a legacy of stories that allow others to see God’s promises come to life through the arts, but to see a new generation of Christian artists rise up and use their gifts with the same mission at heart is truly inspiring. The way God moves in the ripples never ceases to amaze me.”

 In addition to dance performance (three of FYDC’s alumni are currently touring and training with Dance Revolution/Ingredients Dance Company), this year’s production is a testament to more of the company’s own artists, written by FYDC alumni Jayce Davis, then created and choreographed by Davis with McKinnis and fellow FYDC alumni-turned-staff member Abbie Van Horn.

 “Remain” tells the story of a kingdom, united before falling into indifference, then broken when its people place new and exciting travelers above their king’s reign. As members of the kingdom fall in line and cling to their overlord of choice, division runs rampant. But a group of villagers remain steadfast in faith, serving their king and calling for his return. Through the production, McKinnis hopes this first-of-its-kind story continues to create ripples in His name.

 “It’s been a blessing to watch these students take the inspiration the Lord planted during their time dancing with FYDC, and a privilege to encourage them in their gifts as they guided this project from start to finish,” she said. “As we prepare to tell another powerful story on stage, I hope and pray that our audience is encouraged to portray the faithful members of their own stories, and that they will see that the Lord remains through each and every chapter.”

 You can come see “Remain” live on stage for three live performances at the Roy J. Wasson Auditorium (2115 Afton Way):

 Saturday, November 16: 2 p.m.
Saturday, November 16: 6 p.m.
Sunday, November 17: 2 p.m.

 Tickets and information are available at FideleYouthDanceCompany.com!

Why We Wear Costumes: Experience the Turning Pointe Difference

“Clothes make a statement. Costumes tell a story.”

 While that might just be another one of Mason Cooley’s witty aphorisms, he does have a point—especially when it comes to theater and dance. Costumes play an important part on the stage, helping to enhance the visual appeal and narrative of a performance. Costumes can be used to convey the mood, style, and theme of a dance, as well as distinguish between different characters or groups within a performance. They are meant to complement the song, scene or piece, and create uniformity among the dancers. Simply put, costumes bring the entire dance to life!

 While most instructors and choreographers choose costumes that enhance the performance, fit with the theme of the dance, and do not hinder the dancer’s movement, at Turning Pointe Dance, we also strive to weave our mission and values into every stitch and seam. When STARZ Theater Company performed Walt Disney’s “Newsies” in 2020, each costume was custom made to echo the look and feel of the original Broadway version, with Kelly’s signature blue featured alongside counterpart Katherine Plumber’s classic pink ensembles. When Fidèle Youth Dance Company staged “The Pilgrim’s Progress” in 2022, they intentionally used color to show the audience which characters represented members of God’s Kingdom within the famous allegory.

 And it doesn’t stop with our performance companies!

Our teachers are trained in recital expectations that ensure each choice combines art and faith to produce something that will change lives and hearts—from our advanced and adult classes to our youngest Twirl dancers receiving a costume for the very first time. They’re given guidelines for affordable pricing and styling standards to carefully choose costumes that are age appropriate, beautiful but appropriately modest, and fun costumes that both parents and children love.

 As we wear costumes to class this October 28-November 2, remember: We’re not just doing it for fun (even though it is pretty fun). We’re practicing a performing art! We’re learning about costumes, and why they’re important to dance. We’re teaching the significance of costumes in the history of dance, and how costumes can translate the meanings of the dances we study, practice and see. We’re  building confidence dancing in costumes, and working toward our ultimate goal of shining His light with a complete and polished performance this spring.

 Feeling a little lost in the recital costume process? Even though recitals are still several months away, the process actually gets started in just a few short weeks! Here are a few reminders as we head into the holidays:

 Note: All costumes ordered after December 1 have an additional $10 late order fee.

Opting Out of Recital
Students wishing to opt out of the recital should submit a written request to the office prior to November 30, 2024.

Costumes
Changes in a student’s schedule can result in a change of costume and costume fees. A student’s costume amount includes costume and tax. For male dancers, the teacher will discuss with the dancer’s parents what attire is to be worn for the performance. All other classes will have one costume per class. All costume fees are due December 1, 2024.
Our class drop/add period ends December 1, 2024. Dancers who wish to change classes after that date must purchase an additional costume.

Costume Distribution
Dancers will receive their costume(s) the week after Spring Break. Spring Peek Weeks are a great opportunity to see your dancer practice in costume and video the recital routine for at-home practice!

Exchanges
Costumes may be exchanged for size (depending on availability) and the cost is $8.00 per exchange. It’s important that parents come into the studio November 11-23, 2024, to double-check their child’s sizing, as the sizes are computer generated to help avoid sizing issues.

Refunds
After December 1, 2024, costumes are non-refundable and non-transferable. A student who withdraws from a class after purchasing a costume may pick up the costume between May 1-25, 2025. Costumes not picked up by then will be donated.